Daily Herald article – The Falling and The Rising promotes Veteran Healing

Some suburban veterans find a way to heal, with opera

by Burt Constable of The Daily Herald

The Falling and The Rising - Anthem with Veterans
The cast sings the powerful theme anthem of The Falling and The Rising, affirming that soldiers are never alone, and we stand as one. Video plays in the background of fallen veterans, photos of veteran cast members and rising active-duty military. The show is a Petite Opera Productions Chicago premiere.

There are myriad ways to honor veterans on Veterans Day, but there’s only one opera partially commissioned by the Army. And the cast includes local veterans.”This is the first of its kind,” says Susan Baushke, a Des Plaines resident and executive director of Petite Opera Productions. The not-for-profit company is presenting the new opera, “The Falling and the Rising,” at 7:30 p.m. Saturdays and 2:30 p.m. Sundays through Nov. 24 at The Mary Wilson House-Beyer Auditorium, 306 S. Prospect Ave., Park Ridge.

The work is the brainchild of Sgt. Ben Hilbert, an opera singer who got a master’s degree in music at the Chicago College of Performing Arts before enlisting in the Army at age 29. Now 38 and married with three young children, Hilbert persuaded the Army to help fund the opera, which includes lyrics by Jerre Dye and music by Zach Redler. The stories are told by five performers portraying veterans, including Brandon Sokol of Buffalo Grove as the Homecoming Soldier in a wheelchair. Eight veterans sing in the chorus.

“All of them have a lot of credentials,” Baushke says, noting many Petite Opera Productions’ performers have sung with the prestigious Chicago Symphony Chorus or the Lyric Opera Chorus.

“Each character sings things that heal,” says Veterans Chorus singer Ron Kobeluch, 68, a former Des Plaines resident and Navy veteran who spent the bulk of 1970-71 in Vietnam. “They’re talking about subjects that affect veterans.”

Family, sacrifice, service and commitment were themes that kept coming up during conversations with veterans, including the wounded being treated at the Walter Reed National Military Medical Center, Hilgert says.

“Everything about this is very real. Sometimes you have to get it into a different medium to really hear the stories,” Baushke says.

Ron Kobeluch and Susan Baushke Discuss The Falling and the Rising
At home on a stage with a military setting, Vietnam veteran and chorus member Ron Kobeluch chats with Susan Baushke about the military opera The Falling and The Rising. Baushke is executive director of Petite Opera Productions, which is presenting the opera’s Chicago premiere in Park Ridge. Burt Constable | Staff Photographer

When the chorus tells a wounded female veteran that she is not alone, that hits home with Kobeluch, who was a prisoner of war and later earned a bachelor’s degree in composing and arranging music from the University of Illinois at Chicago.

“Since I got out of Vietnam, that’s what veterans have always done. We learn to trust each other,” he says. A former Des Plaines resident and retired accountant at the Captain James A. Lovell Federal Health Care Center in North Chicago, Kobeluch says “I didn’t talk much” about his service. His wife, Mary, who died in 2017, didn’t even know he was a POW until that information showed up on a form at the Department of Veterans Affairs.

“Veterans want to get back into life. The problem is life may not be ready to get into them,” says Kobeluch, who remembers turning to alcohol when he came home from Vietnam but now celebrates 30 years of sobriety.

Singing the lyrics can be triggering. “I always feel the pain. Do I tear up? I avoid it,” Kobeluch says, noting that he needs to keep his voice strong.

“I don’t think they intended this to be a healing opera, but it is,” Baushke says. “I’m so overwhelmed at what they did for us. You’re applauding like crazy and you’re crying like crazy, and it’s happy tears. I’m choking up at different parts every single night.”

Music can be a successful tool in therapy, and opera is a good medium for expressing emotions.

“We like to do things that are life-changing for the audience,” Baushke says, comparing this opera to one several years ago about the Holocaust.

While “The Falling and The Rising” was written for a 13-piece orchestra, Redler says he wrote it on the piano. The local production uses only a piano, and that adds to the intimacy of the performance.

“We wanted to make sure this piece was apolitical. We wanted to showcase people,” Redler says. “I didn’t want the score to be intimidating to people, specifically veterans, for whom this would their first opera.”

After every performance, the audience is invited to ask questions and discuss the stories.

“The opera is great, but the best part is the talkback,” Redler says of the question-and-answer period. “It’s a way in. We didn’t anticipate that. It wasn’t a goal. But it does — it heals. Our country needs these moments when people come together.”

Opera tells veteran stories

What: “The Falling and The Rising,” an opera featuring military veterans and their stories

When: 7:30 p.m. Saturdays and 2:30 p.m. Sundays through Nov. 24

Where: The Mary Wilson House-Beyer Auditorium, 306 S. Prospect Ave., in Park Ridge.

Cost: $30 for adults; $27 for seniors; $25 military; $15 students; $5 preschool children, and guests are invited to buy tickets that can be donated to veterans

For information: Box Office opens one hour before show time, and tickets are available online at petiteopera.org.

Article by Burt Constable of The Daily Herald. Photography courtesy of Burt Constable and Eric Enskat.

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